This document discusses how Art Spiegelman and Alison Bechdel both experienced generational trauma through their works "In The Shadow of No Towers" and "Fun Home", respectively. While the scale and time period of their traumas differed, both impacted and changed their behaviors. For Spiegelman, the 9/11 terrorist attacks became a trauma for himself and all Americans, causing anxiety and worry for his family's safety. Bechdel's trauma stemmed from the lack of societal acceptance of homosexuality during her childhood and father's closeted identity. The document analyzes how each author represented and dealt with their generational traumas through their artistic works.