Rococo art and architecture

Rococo Art
Name: LATE BAROQUE
Origin: Paris, France
Developed in: 18th century
Date: 1700-1750
Derived from: French word “ROCAILLE” meaning
STONE or RUBBLE.

Rococo is an artistic movement and style which has
affected many aspects of art:
 Sculpture
 Painting
 Architecture
 Interior
 Furniture
 Fashion
 Ceramics
 Jewellery
 Literature
 Music
 Theater

Characteristics:
 jocular, florid and graceful approach to Baroque
 Vertical lines were avoided
 Angles were softened
 style was ornate, used light colors, asymmetrical
designs, curves and gold.
 playful and witty themes.
 produced flowing, giddy, visually spectacular carving
 elegant and ornate furniture, small sculptures,
ornamental mirrors, and tapestry complementing
architecture, reliefs, and wall paintings.

Features
 Natural motifs
 Elaborated carved forms
 Asymmetry
 S and c scrolls
 Rocaille
 Acanthus leaf
 Cabochon
 Scallop shell
 Marquetry

Furniture
 Lighthearted, visually and physically
 Ornate, graceful
 role in comfort and versatility
 Idea has evolved to a symbol of status
 Easily moved around
 Matching back
 Preferred choice due to its strength

Voyeuse chair
Late 18th century
Short legged
Cushion at top

Bergere en Gondole
Closed arm chair

Italian Console table 1730 Juste Aurele

Sculpture
 Rococo was widely adapted
 Expressed through delicate porcelain sculpture
 Themes of love and gaiety
 Elements of nature, curving lines and asymmetry.

Pair of lovers
Franz Anton
1760
Etienne Maurice Falconet
amour menaçant, louvre
1750

Painting
 Decorative art style was clearly shown
 Delicate colors and curving forms
 Decorating canvas with cherubs and myths of love
 Portraits were also popular
 Some showed a sort of naughtiness or impurity in the
behavior of their subjects
 Pastoral landscapes

Jean-Antoine Watteau (1684–1721)
The embarktion for Cythera
François Boucher (1703–1770)
Birth of Venus

William Hogarth (1697–1764)
Painter and his Pug
Angelica Kauffman (1741–1807)
Woman dressed as vestal virgin

Fashion
 Men with high heels
 Women with hair mounded on top
 Curls and twirls with stings of pearl
 Lightweight silk layered TAFETTA and SATIN
 Light pastel colors
 Large floral motifs
 Stripes sprinkled with sprigs

Jewellery
 Flowers, foliage, ribbons, scrollwork, feathers
 Engraved or embossed on metal.
 Enamel was abandoned as a form of decorative
technique
 Functional jewellery and chatelaines or snuff boxes
Chatelaines

Architecture
 Lighter, more graceful
 Elaborate version of baroque architecture
 Asymmetry of forms
 Richly decorated
 Numerous curves and decorations
 Pale color
 Jocular and light hearted themes

Catherine palace, Russia
the Augustus burg
and Falkenlust
Palaces, Brühl,

the Queluz National Palace in
Portugal
the Chinese House (Potsdam)

Interior
 Fully in control, sportive, fantastic
 Sculptural forms expressed in abstract expressions
 Flaming, leafy or shell like textures in asymmetrical
sweeps, flourishes and broken curves.
 suppress architectonic divisions of architrave frieze
and cornice for picturesque.
 Rococo palette softer and paler then those of baroque
 pastel pink, lilac, blue and green
 decorative elements were rocaille, S and C shaped
scrolls, acanthus leaves, birds and flower and chubby
babies.

MUSIC:
 not as well-known as the earlier Baroque and later
Classical forms.
 characterized as light, intimate music with extremely
elaborate and refined forms of ornamentation.

Rococo art and architecture

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