Spike Jonze is an American director, producer, and actor known for his unique and imaginative style in music videos and films. Some of his most famous music video works include directing Weezer's "Buddy Holly" video, which featured the band performing on the set of Happy Days surrounded by the show's cast, and Fatboy Slim's "Praise You" video which he starred in under an alias and featured impromptu public dancing. Jonze's directorial approach emphasizes offbeat storytelling techniques like mixing live action, animation, and puppetry. He is considered an auteur theorist for establishing a recognizable personal creative vision across his various projects.
The document discusses 5 of the top 10 greatest music videos of all time according to NME magazine. It summarizes each video, providing details on their directors, release years, what made them unique or controversial, and why they are considered among the best. The #1 video is Johnny Cash's "Hurt" from 2002, praised for its emotional resonance after Cash's death just months later. The #5 video is The Prodigy's "Smack My Bitch Up" from 1998, known for its graphic and boundary-pushing content. Bjork's "All is Full of Love" from 1998 featuring robots mating is ranked #3 for its strange yet beautiful visuals.
Spike Jonze is an American director, producer, and actor known for his unique and creative music videos and films. Some of his most famous music video collaborations include videos for Weezer, Beastie Boys, Fatboy Slim, and Bjork. As a director, Jonze brings a consistent personal style and storytelling approach to his work, making him an example of an "auteur theorist." Two of his music videos that demonstrate his creative flair are the video for Weezer's "Buddy Holly," which pays homage to the singer and resembles an episode of "Happy Days," and Fatboy Slim's "Praise You," which was filmed guerrilla-style without permission.
This document profiles several music video directors and provides examples of their work. It discusses Jonas Åkerlund, a Swedish director known for directing innovative videos that are like movie trailers, including for Madonna's "Ray of Light." It also mentions Chris Cunningham, a British artist who has primarily directed videos for electronic music. Spike Jonze is profiled as an American director known for his collaborations with musicians and movies like Being John Malkovich. Ben Winston is noted for his comedy sketches, and Ray Kay is a Norwegian director currently based in LA who has worked with stars like Cher, Britney Spears, and Justin Bieber.
This document provides information about three music video directors: Spike Jonze, Michel Gondry, and Chris Cunningham. It discusses some of their notable music videos and directorial styles. Spike Jonze is known for unconventional visual storytelling and mixing animation with live action. Michel Gondry is inspired by film and known for his imaginative manipulation of scenes. Chris Cunningham's videos are often dark and distorted, collaborating frequently with Aphex Twin. Videos by all three directors push creative boundaries in their visuals and storytelling.
The document outlines plans for a student music video project based on the indie genre. It includes:
1) Choosing the indie genre due to familiarity with style and interest in indie music.
2) Selecting the song "Sun" by Two Door Cinema Club for its upbeat rhythm and plans for shots that match beats.
3) A draft permission letter to the record label to use the song for the educational project.
4) Justification that the song and genre fit well for the actor and intended visuals and lip syncing.
5) An overview of planned shots, locations, and performers across different time intervals in the video.
The document outlines plans for a student music video project based on the indie genre. It includes:
1) Choosing the indie genre due to familiarity with style and interest in indie music.
2) Selecting the song "Sun" by Two Door Cinema Club for its upbeat rhythm and plans for shots that match the beat.
3) A draft letter requesting permission to use the song for the educational project.
4) Justification that the song and genre are a good match for the planned visuals and actor.
The music video for "Otis" by Jay-Z and Kanye West shows the rappers flaunting their wealth and success. They drive a personalized luxury car recklessly while wearing expensive jewelry and clothes. The cinematography keeps the focus tightly on Jay-Z and Kanye West as they rap in front of an American flag. The editing is minimal and slow-paced to match the slow beat. The video pays homage to Jay-Z's previous "Money Ain't a Thing" video and samples Otis Redding, displaying the song's intertextual references.
The document discusses 5 of the top 10 greatest music videos of all time according to NME magazine. It summarizes each video, providing details on their directors, release years, what made them unique or controversial, and why they are considered among the best. The #1 video is Johnny Cash's "Hurt" from 2002, praised for its emotional resonance after Cash's death just months later. The #5 video is The Prodigy's "Smack My Bitch Up" from 1998, known for its graphic and boundary-pushing content. Bjork's "All is Full of Love" from 1998 featuring robots mating is ranked #3 for its strange yet beautiful visuals.
Spike Jonze is an American director, producer, and actor known for his unique and creative music videos and films. Some of his most famous music video collaborations include videos for Weezer, Beastie Boys, Fatboy Slim, and Bjork. As a director, Jonze brings a consistent personal style and storytelling approach to his work, making him an example of an "auteur theorist." Two of his music videos that demonstrate his creative flair are the video for Weezer's "Buddy Holly," which pays homage to the singer and resembles an episode of "Happy Days," and Fatboy Slim's "Praise You," which was filmed guerrilla-style without permission.
This document profiles several music video directors and provides examples of their work. It discusses Jonas Åkerlund, a Swedish director known for directing innovative videos that are like movie trailers, including for Madonna's "Ray of Light." It also mentions Chris Cunningham, a British artist who has primarily directed videos for electronic music. Spike Jonze is profiled as an American director known for his collaborations with musicians and movies like Being John Malkovich. Ben Winston is noted for his comedy sketches, and Ray Kay is a Norwegian director currently based in LA who has worked with stars like Cher, Britney Spears, and Justin Bieber.
This document provides information about three music video directors: Spike Jonze, Michel Gondry, and Chris Cunningham. It discusses some of their notable music videos and directorial styles. Spike Jonze is known for unconventional visual storytelling and mixing animation with live action. Michel Gondry is inspired by film and known for his imaginative manipulation of scenes. Chris Cunningham's videos are often dark and distorted, collaborating frequently with Aphex Twin. Videos by all three directors push creative boundaries in their visuals and storytelling.
The document outlines plans for a student music video project based on the indie genre. It includes:
1) Choosing the indie genre due to familiarity with style and interest in indie music.
2) Selecting the song "Sun" by Two Door Cinema Club for its upbeat rhythm and plans for shots that match beats.
3) A draft permission letter to the record label to use the song for the educational project.
4) Justification that the song and genre fit well for the actor and intended visuals and lip syncing.
5) An overview of planned shots, locations, and performers across different time intervals in the video.
The document outlines plans for a student music video project based on the indie genre. It includes:
1) Choosing the indie genre due to familiarity with style and interest in indie music.
2) Selecting the song "Sun" by Two Door Cinema Club for its upbeat rhythm and plans for shots that match the beat.
3) A draft letter requesting permission to use the song for the educational project.
4) Justification that the song and genre are a good match for the planned visuals and actor.
The music video for "Otis" by Jay-Z and Kanye West shows the rappers flaunting their wealth and success. They drive a personalized luxury car recklessly while wearing expensive jewelry and clothes. The cinematography keeps the focus tightly on Jay-Z and Kanye West as they rap in front of an American flag. The editing is minimal and slow-paced to match the slow beat. The video pays homage to Jay-Z's previous "Money Ain't a Thing" video and samples Otis Redding, displaying the song's intertextual references.
This document profiles three famous music video directors: Chris Cunningham, David Fincher, and Spike Jonze. It provides biographical details and highlights of their careers directing music videos and films. Chris Cunningham is known for directing videos for Aphex Twin and Bjork that won several awards. David Fincher has won Grammys and MTV awards for directing Rolling Stones and Justin Timberlake videos. Spike Jonze began directing in the 1990s and is known for collaborating with artists like Beastie Boys, Kanye West, and Daft Punk on acclaimed and award-winning music videos.
The document discusses several prominent music video directors:
- Colin Tilley is known for directing videos for Chris Brown, Justin Bieber, and Nicki Minaj and winning awards for videos like "Look At Me Now" and "U Smile".
- Hype Williams is renowned for videos featuring 2Pac, Kanye West, and Beyoncé, winning awards including Video Vanguard. His signature style uses fisheye lenses and split screens.
- Anthony Mandler frequently collaborates with Rihanna on emotional, narrative videos like "Unfaithful" and "Diamonds", also directing videos for Jay-Z, Beyoncé, and Taylor Swift.
Music videos are generally made by hiring a reputable production company and developing storyboards. They serve marketing purposes for artists and companies by creating a brand identity and showing an artist's versatility. Famous directors like Paul Hunter and Hype Williams have developed signature styles through their work with major artists. Typical music video budgets range from £200,000-£500,000, with costs going towards crew, equipment rental, locations, and post-production. Audiences now primarily access music videos through social media platforms like YouTube rather than traditional television airings.
U2 are an Irish rock band formed in 1976. The music video for their song "Beautiful Day" shows the band walking around an airport in Paris and playing on a runway as large jets take off and land overhead. The video incorporates live performance elements and relates the music to the video content and lyrics.
Music videos are generally made to promote artists and their music. There are two main types - performance videos that show the artist singing or playing along to their song, and concept videos that tell a story. Famous directors like Spike Jonze, David Fincher, and Mark Romanek are known for high production quality videos that entertain audiences and help promote albums. The budget for a music video can range from $20,000 to $500,000 depending on the artist, song, and production elements. Audiences most commonly access music videos through free streaming on YouTube, where videos from major artists regularly receive hundreds of millions of views.
Liam Gallagher has released two new singles as a solo artist - "Chinatown" and "Wall of Glass". The music video for "Chinatown" is very performance based, showing Liam singing through 120 different shots with a dark backdrop matching the song's indie style. The lyrics and visuals are well-matched, such as when the chorus mentions "warm" and a warm sunset appears. In "Wall of Glass", the narrative-based video features Liam singing in a run-down building, representing his indie background. Specific lyrics like "can look right through you" are visually depicted through shots of Liam in a mirror.
Liam Gallagher promoted the release of his debut solo single "Wall of Glass" through his performance at the Manchester One Love concert in June 2017. The music video was released on YouTube shortly after, gaining over 6.9 million views. Throughout the promotional campaign, consistent album artwork, fonts and colors were used to easily identify the song. Radio interviews on stations like Radio 1 helped spread awareness of the new single. Liam Gallagher also personally promoted "Wall of Glass" through his social media accounts like Twitter, Facebook, and Instagram.
The document discusses the history and evolution of music videos over time. It begins with the first music video in 1894 and discusses key milestones like "Video Killed the Radio Star" in 1979, which was the first video aired on MTV. Important artists and videos that advanced the form are highlighted, such as Michael Jackson's "Thriller" and A-Ha's animated video for "Take On Me". New technologies like green screens and virtual bands have continued changing what music videos can be.
The document traces the history of music videos from early experiments combining music and visuals in the 1910s through the development of promotional films for songs in the 1960s and the rise of dedicated music video shows in the 1970s. It highlights pioneering music videos by The Beatles, Pink Floyd, and David Bowie in the late 1960s/early 1970s as genre-defining works. The launch of MTV in 1981 provided a dedicated outlet for music videos and fueled their rise as an art form and promotional tool, with major artists like Michael Jackson and Madonna releasing iconic videos in the 1980s.
Music Video Intro And Intertextuality.PptKieran Ryan
Today's lesson focuses on music videos and their technical codes and conventions. Music videos have existed since the 1920s but advanced with technology. Early music videos included short films by jazz musicians and Bob Dylan's 1965 video. In the 1970s, TV shows promoted artists and Bohemian Rhapsody in 1975 was groundbreaking with visual effects. Technical elements like camerawork, editing, and effects are analyzed. Directors like David Fincher and Spike Jonze started with music videos. Music videos often reference cinema, television, art, fashion and more through intertextuality.
Benny Boom is a music video director and founder of Gorilla Flix, Inc. He trained at Temple University and worked under directors Little X and Hype Williams. He has directed many successful music videos for artists like Sean Paul, Nas, Kelly Rowland, Ciara, 50 Cent, and P. Diddy. Boom also directed the 2009 film Next Day Air and was nominated for Video Director of the Year at the 2011 BET Awards. He is known for his work on Keyshia Cole music videos and the films Next Day Air and S.W.A.T: Firefight.
The media product uses and develops conventions of indie music videos in several ways:
1) It uses diegetic sound of a rehearsing band at the opening, a technique seen in videos like "Teddy Picker" by Arctic Monkeys.
2) The clothing of the male character reflects typical indie fashion with boots, jeans and coats evoking the genre's mod influences.
3) It challenges conventions by depicting the female character in a more sophisticated, classy style rather than typical indie attire.
The project proposal discusses potential bands, albums, and DVDs for a music video project. It chooses the song "Warmth" by Bastille for its narrative potential and uniqueness, as the song lacks an existing music video. The preliminary video idea follows a protagonist searching for his girlfriend amid a global threat. A behind-the-scenes DVD was selected to give insight into the band's music production process and allow creative freedom in designing the digipack packaging.
This document provides summaries of and commentary on over 50 music videos from various artists and genres. Some key points made about the videos include:
- Godley and Creme's video for "Two Tribes" by Frankie Goes to Hollywood shocked audiences with its references to nuclear war.
- Missy Elliott's "Get Your Freak On" video featured unusual visual effects like an enlarged neck.
- Pulp's "Common People" was characteristically strange from Jarvis Cocker.
- Sinead O'Connor's "Nothing Compares 2 U" showed raw emotion and was influential due to her shaved head.
- Aphex Twin's "Window Licker" had surre
1. The document discusses various shots from a student's music video project set in the 1980s that was meant to resemble power ballads popular at that time. It analyzes several shots that show a boxer training to build narrative and reference genres of the era. Shots include a pre-match conference and examples of camera techniques like pulling focus.
2. Lighting effects using mist and beams were achieved through rented film equipment to further immerse the viewer in 1980s aesthetics. Mise-en-scene elements in training scenes like weights and posters establish the setting.
3. Inspiration was drawn from the Bobby Summer video "Jabba Jabba" which also tells an underdog story, as
Bohemian Rhapsody by Queen, released in 1975, is considered the first official music video. It featured different styles of music throughout and special effects but no narrative elements. In contrast, Da Funk by Daft Punk from 1997 featured a narrative that overshadowed the song and diegetic sound. Milkshake by Kelis from 2003 combined performance and narrative shots set in a single location. Bezerk by Eminem from 2013 demonstrated more advanced technology through CGI, effects, and a green screen. Bohemian Rhapsody had the biggest impact by pioneering the music video and inspiring record companies to produce promotional videos for artists' singles.
There are three main types of music videos: performance videos that focus on the artist performing the song, narrative videos that tell a story related to the lyrics, and abstract videos with random visuals unrelated to the song. The first successful music video was Queen's "Bohemian Rhapsody" in 1975, which helped establish the music video as a way for artists to promote their music. Michael Jackson's "Thriller" was groundbreaking as a 14-minute horror film-style video that helped shape the future of longer form videos. Beyoncé's "Formation" tackled controversial issues like black empowerment and police brutality. Britney Spears' "Toxic" spliced together elements from
The document discusses music choices for a British social realism film genre. It notes that directors like Guy Ritchie and Danny Boyle commonly used fast-paced electric guitar and drum music in film openings. To develop the film opening soundtrack, the authors studied artists like David Holmes, Black Strobe, and Klint who produce music fitting for the BSR genre. Links to example songs by these artists are provided to aid in selecting music that sets the tone for the film and appeals to a British audience.
This document discusses different lighting techniques for photography, including backlighting, natural sunlight, artificial indoor lighting, and using a flashlight or torch from below the chin to create shadows. Several photos demonstrate how the direction and amount of light affect shadows and the visibility of details in the subject. Light from multiple directions can make the subject less clear, while light through a door crack illuminates only part of the face.
This document profiles three famous music video directors: Chris Cunningham, David Fincher, and Spike Jonze. It provides biographical details and highlights of their careers directing music videos and films. Chris Cunningham is known for directing videos for Aphex Twin and Bjork that won several awards. David Fincher has won Grammys and MTV awards for directing Rolling Stones and Justin Timberlake videos. Spike Jonze began directing in the 1990s and is known for collaborating with artists like Beastie Boys, Kanye West, and Daft Punk on acclaimed and award-winning music videos.
The document discusses several prominent music video directors:
- Colin Tilley is known for directing videos for Chris Brown, Justin Bieber, and Nicki Minaj and winning awards for videos like "Look At Me Now" and "U Smile".
- Hype Williams is renowned for videos featuring 2Pac, Kanye West, and Beyoncé, winning awards including Video Vanguard. His signature style uses fisheye lenses and split screens.
- Anthony Mandler frequently collaborates with Rihanna on emotional, narrative videos like "Unfaithful" and "Diamonds", also directing videos for Jay-Z, Beyoncé, and Taylor Swift.
Music videos are generally made by hiring a reputable production company and developing storyboards. They serve marketing purposes for artists and companies by creating a brand identity and showing an artist's versatility. Famous directors like Paul Hunter and Hype Williams have developed signature styles through their work with major artists. Typical music video budgets range from £200,000-£500,000, with costs going towards crew, equipment rental, locations, and post-production. Audiences now primarily access music videos through social media platforms like YouTube rather than traditional television airings.
U2 are an Irish rock band formed in 1976. The music video for their song "Beautiful Day" shows the band walking around an airport in Paris and playing on a runway as large jets take off and land overhead. The video incorporates live performance elements and relates the music to the video content and lyrics.
Music videos are generally made to promote artists and their music. There are two main types - performance videos that show the artist singing or playing along to their song, and concept videos that tell a story. Famous directors like Spike Jonze, David Fincher, and Mark Romanek are known for high production quality videos that entertain audiences and help promote albums. The budget for a music video can range from $20,000 to $500,000 depending on the artist, song, and production elements. Audiences most commonly access music videos through free streaming on YouTube, where videos from major artists regularly receive hundreds of millions of views.
Liam Gallagher has released two new singles as a solo artist - "Chinatown" and "Wall of Glass". The music video for "Chinatown" is very performance based, showing Liam singing through 120 different shots with a dark backdrop matching the song's indie style. The lyrics and visuals are well-matched, such as when the chorus mentions "warm" and a warm sunset appears. In "Wall of Glass", the narrative-based video features Liam singing in a run-down building, representing his indie background. Specific lyrics like "can look right through you" are visually depicted through shots of Liam in a mirror.
Liam Gallagher promoted the release of his debut solo single "Wall of Glass" through his performance at the Manchester One Love concert in June 2017. The music video was released on YouTube shortly after, gaining over 6.9 million views. Throughout the promotional campaign, consistent album artwork, fonts and colors were used to easily identify the song. Radio interviews on stations like Radio 1 helped spread awareness of the new single. Liam Gallagher also personally promoted "Wall of Glass" through his social media accounts like Twitter, Facebook, and Instagram.
The document discusses the history and evolution of music videos over time. It begins with the first music video in 1894 and discusses key milestones like "Video Killed the Radio Star" in 1979, which was the first video aired on MTV. Important artists and videos that advanced the form are highlighted, such as Michael Jackson's "Thriller" and A-Ha's animated video for "Take On Me". New technologies like green screens and virtual bands have continued changing what music videos can be.
The document traces the history of music videos from early experiments combining music and visuals in the 1910s through the development of promotional films for songs in the 1960s and the rise of dedicated music video shows in the 1970s. It highlights pioneering music videos by The Beatles, Pink Floyd, and David Bowie in the late 1960s/early 1970s as genre-defining works. The launch of MTV in 1981 provided a dedicated outlet for music videos and fueled their rise as an art form and promotional tool, with major artists like Michael Jackson and Madonna releasing iconic videos in the 1980s.
Music Video Intro And Intertextuality.PptKieran Ryan
Today's lesson focuses on music videos and their technical codes and conventions. Music videos have existed since the 1920s but advanced with technology. Early music videos included short films by jazz musicians and Bob Dylan's 1965 video. In the 1970s, TV shows promoted artists and Bohemian Rhapsody in 1975 was groundbreaking with visual effects. Technical elements like camerawork, editing, and effects are analyzed. Directors like David Fincher and Spike Jonze started with music videos. Music videos often reference cinema, television, art, fashion and more through intertextuality.
Benny Boom is a music video director and founder of Gorilla Flix, Inc. He trained at Temple University and worked under directors Little X and Hype Williams. He has directed many successful music videos for artists like Sean Paul, Nas, Kelly Rowland, Ciara, 50 Cent, and P. Diddy. Boom also directed the 2009 film Next Day Air and was nominated for Video Director of the Year at the 2011 BET Awards. He is known for his work on Keyshia Cole music videos and the films Next Day Air and S.W.A.T: Firefight.
The media product uses and develops conventions of indie music videos in several ways:
1) It uses diegetic sound of a rehearsing band at the opening, a technique seen in videos like "Teddy Picker" by Arctic Monkeys.
2) The clothing of the male character reflects typical indie fashion with boots, jeans and coats evoking the genre's mod influences.
3) It challenges conventions by depicting the female character in a more sophisticated, classy style rather than typical indie attire.
The project proposal discusses potential bands, albums, and DVDs for a music video project. It chooses the song "Warmth" by Bastille for its narrative potential and uniqueness, as the song lacks an existing music video. The preliminary video idea follows a protagonist searching for his girlfriend amid a global threat. A behind-the-scenes DVD was selected to give insight into the band's music production process and allow creative freedom in designing the digipack packaging.
This document provides summaries of and commentary on over 50 music videos from various artists and genres. Some key points made about the videos include:
- Godley and Creme's video for "Two Tribes" by Frankie Goes to Hollywood shocked audiences with its references to nuclear war.
- Missy Elliott's "Get Your Freak On" video featured unusual visual effects like an enlarged neck.
- Pulp's "Common People" was characteristically strange from Jarvis Cocker.
- Sinead O'Connor's "Nothing Compares 2 U" showed raw emotion and was influential due to her shaved head.
- Aphex Twin's "Window Licker" had surre
1. The document discusses various shots from a student's music video project set in the 1980s that was meant to resemble power ballads popular at that time. It analyzes several shots that show a boxer training to build narrative and reference genres of the era. Shots include a pre-match conference and examples of camera techniques like pulling focus.
2. Lighting effects using mist and beams were achieved through rented film equipment to further immerse the viewer in 1980s aesthetics. Mise-en-scene elements in training scenes like weights and posters establish the setting.
3. Inspiration was drawn from the Bobby Summer video "Jabba Jabba" which also tells an underdog story, as
Bohemian Rhapsody by Queen, released in 1975, is considered the first official music video. It featured different styles of music throughout and special effects but no narrative elements. In contrast, Da Funk by Daft Punk from 1997 featured a narrative that overshadowed the song and diegetic sound. Milkshake by Kelis from 2003 combined performance and narrative shots set in a single location. Bezerk by Eminem from 2013 demonstrated more advanced technology through CGI, effects, and a green screen. Bohemian Rhapsody had the biggest impact by pioneering the music video and inspiring record companies to produce promotional videos for artists' singles.
There are three main types of music videos: performance videos that focus on the artist performing the song, narrative videos that tell a story related to the lyrics, and abstract videos with random visuals unrelated to the song. The first successful music video was Queen's "Bohemian Rhapsody" in 1975, which helped establish the music video as a way for artists to promote their music. Michael Jackson's "Thriller" was groundbreaking as a 14-minute horror film-style video that helped shape the future of longer form videos. Beyoncé's "Formation" tackled controversial issues like black empowerment and police brutality. Britney Spears' "Toxic" spliced together elements from
The document discusses music choices for a British social realism film genre. It notes that directors like Guy Ritchie and Danny Boyle commonly used fast-paced electric guitar and drum music in film openings. To develop the film opening soundtrack, the authors studied artists like David Holmes, Black Strobe, and Klint who produce music fitting for the BSR genre. Links to example songs by these artists are provided to aid in selecting music that sets the tone for the film and appeals to a British audience.
This document discusses different lighting techniques for photography, including backlighting, natural sunlight, artificial indoor lighting, and using a flashlight or torch from below the chin to create shadows. Several photos demonstrate how the direction and amount of light affect shadows and the visibility of details in the subject. Light from multiple directions can make the subject less clear, while light through a door crack illuminates only part of the face.
The document summarizes a scene that takes place at a cabin in the woods where a group of friends have gathered. It describes some of the group chatting and laughing together inside the cabin. One of the men, Brad, gets up to go to the bathroom outside. As he is relieving himself near some bushes, a black figure suddenly appears and kills Brad by grabbing his face.
El documento describe el origen e historia de Internet, sus principales usos como la comunicación, el comercio, los estudios y el entretenimiento. También explica los fraudes de correo electrónico más comunes, donde las víctimas son contactadas por supuestos herederos ricos que ofrecen una parte de una herencia a cambio de ayuda para transferir fondos. Finalmente, presenta una serie de comportamientos digitales responsables para proteger la privacidad e integridad personal y de los demás en Internet.
This document presents a mobile attendance application project. It discusses how the current manual attendance system has limitations like being time-consuming. The project aims to develop an Android application to simplify the attendance process. It will allow teachers to take attendance using their mobile phones and send it to a server database. The application will have modules for admin, teacher and student functions. It provides details on the software and hardware requirements and design activities like login screens and lists for managing attendance data.
En el baloncesto, las fintas son movimientos de engaño que confunden a los defensores y les hacen perder efectividad, se pueden hacer con diferentes partes del cuerpo como pies, manos y hombros. Existen varios tipos de fintas como la de tiro, la de pase y la de recepción para engañar al defensa y ganar ventaja. El uso de fintas debe ser racional para no provocar mala coordinación en las jugadas.
Este documento describe diferentes posiciones defensivas básicas en baloncesto. Incluye la posición básica defensiva con el centro de gravedad bajo y las piernas separadas, la defensa al hombre sin balón colocándose entre el balón y el atacante, y la defensa del jugador con balón lejos de la canasta con los brazos obstaculizando cualquier tiro o pase. También cubre la defensa cerca de la canasta con los pies separados y los brazos semiflexionados para obstaculizar cualquier tiro.
Ritesh Kumar Pandey is seeking a challenging position where he can utilize his general and technical skills. He has a Bachelor's degree in Electrical and Electronic Engineering and over 8 years of experience in roles such as automation trainer, maintenance engineer, and project engineer. His experience includes PLC programming, AC drive troubleshooting, elevator installation and maintenance, and working on prepaid meter installation projects. He is proficient in Microsoft Office and has knowledge of computer hardware, transformers, and machines.
O documento discute o desenvolvimento humano, definindo-o como um conjunto de transformações físicas e psicológicas ao longo da vida. Explica que o desenvolvimento resulta da interação entre fatores genéticos e ambientais, não sendo determinado exclusivamente por um ou outro. Também aborda conceitos como crescimento, maturação, genótipo, fenótipo e os níveis de desenvolvimento.
Spike Jonze is a renowned American film director, producer, and photographer. He is best known for directing films such as Being John Malkovich (1999) and Where the Wild Things Are (2009). Jonze began his career directing music videos for artists like Weezer, Beastie Boys, and Bjork. His music videos are often set in earlier eras and feature upbeat, fun narratives or performances that entertain audiences. For example, his 1994 video for "Buddy Holly" by Weezer is set in a 1960s sitcom while his video for "Sabotage" by Beastie Boys parodies 1980s cop shows. Beyond film and music videos, Jonze has also produced skateboarding videos and
Spike Jonze is an American director, producer, screenwriter and actor known for his innovative music videos from the 1990s to today. His breakthrough music video for the Beastie Boys' "Sabotage" earned him four MTV Video Music Awards. Some of his most famous music videos include "Praise You" by Fatboy Slim, in which Jonze starred under a pseudonym and won additional awards, and "Da Funk" by Daft Punk, which features an anthropomorphic dog character in New York City.
Spike Jonze is an American director known for his unique visual storytelling style that mixes live-action, animation, and puppetry. Some of his most famous music videos include "Buddy Holly" by Weezer, which was shot on the set of Happy Days to feel like an episode of the show, and "Sabotage" by Beastie Boys, which portrayed the band as characters in a 1970s police series. Jonze's videos are considered off-beat but creative in their blending of genres and exaggerated humor.
Spike Jonze is an American director, producer, screenwriter and actor known for his music videos, commercials, and films. Some of his most popular music videos include Fatboy Slim's "Praise You", for which Jonze made an impromptu dance video as a gift after being unable to work on another video, leading Fatboy Slim to approve it for the official video, and videos for the Beastie Boys, Arcade Fire, LCD Soundsystem, and Björk, cementing his reputation as a pioneering music video director.
Spike Jonze is an American director, producer, screenwriter and actor known for his music videos, commercials, and films. Some of his most popular music videos include "Praise You" by Fatboy Slim, "Sabotage" by Beastie Boys, and "The Suburbs" by Arcade Fire. The video for "Praise You" became the official video after Jonze sent Fatboy Slim an improvised dance video as a gift when he couldn't work on another project, which was so well received it launched Jonze's fictional dance group for the "Praise You" video.
The document discusses several indie pop artists and analyzes similarities and differences in their music videos, websites, and album packaging. It examines videos by Billie Eilish, Lana Del Rey, Twenty One Pilots, and Foster the People, noting similarities like the inclusion of artist performances but differences in narratives, settings, costumes, and cinematography. Analysis of the artists' websites finds basic information is shared but layouts and designs vary. While album digipacks all feature basic details, their designs, colors, and inclusion of photos differ.
Spike Jonze is an American director, producer, actor and screenwriter who has been working in film and music videos since the late 1980s. He is known for directing visually creative and off-beat videos for artists like Weezer, Fatboy Slim, Kanye West and Beastie Boys. Some of his most famous music videos include "Sabotage" by Beastie Boys, which parodies 1970s cop shows, and "Otis" by Jay-Z and Kanye West, which features the artists customizing a Maybach car. Jonze's videos often incorporate comedy and eclectic visual styles through techniques like live-action, animation and puppetry. He typically works with rock and hip
Music Video Director Research - Spike Jonzejondispute
Spike Jonze is an American film director, producer, screenwriter and actor born in 1969. While known for directing films like "Her" and "Being John Malkovich", Jonze's career began as a music video director, creating over 50 videos for major artists across many genres. Some of the artists he has worked with include Weezer, Daft Punk, Fatboy Slim, Kanye West, and Arcade Fire. Jonze's music videos have won him several MTV Video Music Awards, including one for best director for his work on the Beastie Boys' "Sabotage" video.
Music video directors are responsible for overseeing the production of music videos. They storyboard the video, direct performers, and ensure the visuals synchronize with the song. Famous music video directors like Jonas Akerlund, Chris Applebaum, and Chris Cunningham have helped promote artists and sell music through creative, stylized videos. Other notable directors include Joseph Kahn, Jake Nava, Sophie Muller, and Ray Kay, who have worked with major pop and rock artists.
This document discusses the key stages of music video production - pre-production, production, and post-production. It also outlines different music video styles such as homage, animation, narrative, and parody. Several famous music video directors are mentioned, such as Spike Jonze and Mark Romanek. Finally, it provides details on music video budgets, which can range from $20,000 to over $500,000, and highlights two extremely high and low budget iconic music videos from the past.
The history of music videos began with "soundies" in the 1940s, short music films played in bars and clubs. In the 1950s and 1960s, artists like Elvis Presley and The Beatles began including songs in their films. The first true music video was Bob Dylan's 1965 video for "Subterranean Homesick Blues." In the 1970s, acts like ABBA and Queen began regularly releasing music videos to promote their songs. Michael Jackson further advanced the form with highly cinematic videos for songs like "Thriller" and "Bad" in the 1980s. Modern music videos are now primarily distributed online through channels like YouTube.
This document discusses the key elements involved in creating a music video. It explains that music videos originally served as a promotional tool when artists were unavailable for in-person appearances. It became regular practice for record companies to produce music videos to promote singles and air them on TV shows. The document outlines different strategies for major labels, independent labels, and self-produced artists. Major labels use large platforms like VEVO to promote videos online while independents use videos to help directors' careers. Self-produced artists rely heavily on videos to promote their early careers.
The document traces the history and evolution of music videos from their early origins in sound films in the 1920s to modern times. It notes key developments like the launch of MTV in 1981 which helped establish the format and Michael Jackson's "Thriller" video in 1983 which set production standards. More recently, the rise of YouTube and sites like Vevo have helped usher in a resurgence of music videos by making them easily accessible online. New technologies have also led to more innovative video styles like virtual reality and interactive videos.
Here is a revised version with an introduction, development, conclusion and bibliography:
Introduction:
The music video has evolved significantly since its origins in the late 19th century. Starting as a simple accompaniment to promote songs, the music video is now a major commercial and artistic medium. Over time, innovations in film, television and digital technology have transformed the music video into a sophisticated form of entertainment and advertising.
Development:
One of the earliest precursors to the music video was the "illustrated song" developed in the 1890s, combining images projected with song lyrics to promote sheet music sales. In the 1920s, the advent of "talkies" or sound films brought synchronized moving images and music. In the
Music videos go through three main stages of production: pre-production involving planning, production which is the filming, and post-production such as editing. The purpose of music videos is to promote the artist and song through visuals that help audiences connect to and remember the song. Famous music video directors like David Fincher and Anthony Mandler are known for their memorable, high production value videos. The cost of music videos can vary widely from under $1,000 to over $10 million, depending on elements like location, talent, and special effects. Today, most audiences access music videos through YouTube, television channels like MTV, or included on artist album DVDs.
Michael Jackson was a pioneer in using music videos to advance his career and promote his songs. His early videos with the Jackson 5 were basic performances but over time he introduced more complex concepts. "Thriller" was a groundbreaking 14-minute video that told a story through dance and advanced special effects. It helped popularize the concept of the long-form music video. Jackson's videos grew more elaborate over time and explored social issues while reinventing his image. He was an early adopter of new technologies and used music videos to both promote his music and share broader messages.
Spike Jonez is a renowned screenwriter and director known for his innovative music videos for artists like Fatboy Slim, Weezer, and Kanye West. His music videos typically feature the artist performing outside and focus solely on promoting the artist's brand and music. Jonze's breakthrough came with the Beastie Boys' "Sabotage" video, which won several MTV Video Music Awards and cemented his reputation for creativity. Since then, Jonez has won numerous awards for his music video direction and screenwriting, establishing himself as a leader in both industries.
Queen's 1975 music video for "Bohemian Rhapsody" was the first official music video as it was deliberately made to accompany the song, not just promote it. Before then, TV shows like Top of the Pops (UK) and Hullabaloo (US) showed artists performing live. David Bowie's 1980 video for "Ashes to Ashes" used groundbreaking effects to symbolize the effects of drugs. In 1981, MTV launched as the first 24-hour music channel, playing the Buggles' "Video Killed the Radio Star". Michael Jackson's 1983 "Thriller" video was released on VHS, the first to show a making-of, while A-ha's
The document discusses the evolution of music videos from the 1970s through the 1990s. In the 1970s, bands like Pink Floyd and David Bowie began producing promotional films for their songs. By the late 1970s and early 1980s, MTV's format was based around music videos, which became a major marketing tool. The 1980s saw iconic artists like Madonna and Michael Jackson produce innovative, boundary-pushing videos that showcased their music and style. Cyndi Lauper also had memorable videos in this era. In the 1990s, directors like Michel Gondry and Spike Jonze began directing music videos and later transitioned to film. Videos also increased in production costs, with some in the mid-1990
Music videos are short films that accompany and promote songs. Early music videos included illustrated songs in 1894 and musical short films called "Vitaphone shorts" in 1926. In the 1960s, bands like The Animals and The Beatles began producing promotional films that experimented with techniques like unusual camera angles and effects. Bob Dylan's 1967 video avoided depicting performance and used cue cards with lyrics. MTV's launch in 1981 brought music videos to television mainstream. Today, music videos use advanced technology and graphics to create unrealistic but visually stunning images.
The title sequence for Crimson Peak uses a dark, gloomy background with white text to introduce the film. Mysterious, murky background images and unsettling music build intrigue for the thriller genre. Color is later introduced along with softer music, suggesting hope in the story. The sequence ends abruptly with a loud instrument sound as a book slams shut, keeping viewers engaged until the end.
The storyboard created for a video project did not exactly match the final video, as changes were made during filming to improve shots from different angles or locations. Creating the storyboard helped provide an overall plan and guide the filmmaking process, by establishing the characters, dialogue, camera shots, editing styles, sound, lighting, and mise-en-scene. Details like the intended shot type and any effects, sounds, or dialogue were written next to each storyboard frame to outline the envisioned end result.
The document discusses areas for improvement for a video project. It identifies issues with lighting not being consistent between shots, music being too loud and drowning out dialogue, and having to use a phone for one clip which lowered video quality. It recommends following a storyboard more closely while filming to avoid forgetting scenes and ensure all parts are shot. It also suggests using editing time more efficiently by not spending too much effort trying effects that did not suit the video clips.
Eminem's "Just Lose It" video and M.I.A's "Born Free" video were both banned from television and YouTube due to inappropriate content. "Just Lose It" depicted Michael Jackson in a disrespectful manner, while "Born Free" showed violence against children. Regulatory bodies like the BBFC and OFCOM control what music videos can be shown on TV and online in the UK. However, implementing regulations is difficult as content can still be uploaded freely online through unofficial channels. Protecting children from explicit content while allowing for freedom of expression remains an ongoing challenge.
Michael Jackson - Thriller - Textual AnalysisBobby Salt
The document analyzes various elements of Michael Jackson's music video for "Thriller". It discusses Andrew Goodwin's theory about links between the visual and musical aspects of the video. It also examines the costumes worn by Jackson and the female lead, how their outfits reflect the era and change throughout the video. Finally, it analyzes the camera angles, shots, and mise-en-scene used to create an eerie horror atmosphere and build suspense for the audience.
The media product represents a lower social group of teenage males through its all-male teenage cast. Stereotypes of young males like wearing hoodies and bonding like in Fast and Furious were portrayed naturally. The isolated house location also fits thriller conventions. The victims behave typically for teenage boys, wearing hoodies and jeans and messing around, challenging expectations of male roles. The killer's identity is unknown, representing gender equality. As a UK production, it represents the varied views of teenage males in Britain as the future despite being victims.
Robert Downey JR House: An Inside Look at the Iron Man Star’s Magnificent Abodegreendigital
Robert Downey Jr. known as Iron Man, is recognized for his iconic Hollywood roles and exquisite taste in real estate. His house, often called the Robert Downey JR House. is a testament to his eclectic style, creativity, and deep appreciation for modern and classic architecture. This article delves into the fascinating details of the Robert Downey JR House, exploring its history, architectural marvels, interior design, and the unique elements that make it a standout among celebrity homes.
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Introduction to Robert Downey JR House
Robert Downey Jr. has always been known for his charismatic screen presence and remarkable acting skills. But, his off-screen life, particularly his choice of house. also speaks volumes about his personality and lifestyle. The Robert Downey JR House blends luxurious living, artistic expression, and cutting-edge technology. Situated in a prime location, this house is a sanctuary that offers comfort, privacy. and an ambiance that reflects the actor's unique taste.
Historical Background of Robert Downey JR House
The history of the Robert Downey JR House is as intriguing as its owner. the property was built in the early 20th century and has undergone several transformations. Downey and his wife, Susan, purchased the house to preserve to preserve its historical essence while infusing it with contemporary elements. The house's renovation involved a team of renowned architects and designers who crafted every detail to meet the Downeys' expectations.
The Buy and Initial Renovation
In 2009, Robert Downey Jr. acquired the property. a modestly sized home with significant potential. The couple saw an opportunity to create a house that would serve as a home and a retreat from their busy Hollywood schedules. The initial renovation focused on expanding the living spaces, enhancing the structural integrity. and incorporating modern amenities without compromising the original charm.
Architectural Significance
The architectural significance of the Robert Downey JR House lies in its seamless blend of old-world charm and modern sophistication. The house features a mix of styles, including traditional, contemporary, and even a hint of industrial design. This eclectic approach creates a unique, appealing, and efficient aesthetic.
Architectural Design of Robert Downey JR House
The Robert Downey JR House's architectural design is a marvel of creativity and innovation. Designed by renowned architects. it stands as a testament to cutting-edge design principles and meticulous attention to detail.
Exterior Design
The exterior of the Robert Downey JR House is a perfect amalgamation of elegance and modernity. The facade features clean lines, large windows, and a combination of natural stone and wood, giving it a timeless appeal. The landscaping around the house complements the architecture, with lush gardens, water features. and placed lighting enhancing the aesthetic.
Interior Layout
The Robert Downey JR House's in
During a severe thunderstorm, Benny, his cousin Cheddar, and the villain Darkwave stay at Benny's apartment. They pass the time by playing games and eating snacks, with Darkwave learning a lesson about eating healthier. After the storm clears, Benny's friends thank him for keeping them safe.
Dive into the captivating world of animation with our comprehensive SlideShare presentation. Discover the art and science behind creating mesmerizing animated content, from initial concept to the final screen. Explore various animation techniques, trends, and tools that professionals use to bring their visions to life. Whether you're an aspiring animator, a seasoned professional, or just curious about the animation process, this presentation will provide valuable insights and inspiration. Join us as we unravel the magic of animation and its power to engage and captivate audiences worldwide.
Robert Downey JR Haircut: A Comprehensive Guide to His Iconic Hairstylesgreendigital
Robert Downey Jr. is synonymous with versatility and transformation, not just in his acting career but also in his ever-evolving hairstyles. From his early days in Hollywood to his iconic portrayal of Tony Stark/Iron Man in the Marvel Cinematic Universe, Robert Downey Jr haircut have often set trends and made headlines. In this comprehensive guide, we delve into the evolution of Robert Downey Jr.'s haircut, exploring the various styles he has sported over the years, their impact on pop culture, and tips on achieving these looks.
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Introduction to Robert Downey JR's Iconic Haircuts
The journey of Robert Downey JR haircut is as fascinating as the actor himself. Known for his charisma and flair, Downey's hairstyles have played a significant role in shaping his on-screen and off-screen persona. From classic cuts to bold experiments, his hair has been a canvas reflecting his personal and professional metamorphosis.
In this article, we will explore:
1. The evolution of Robert Downey JR haircut over the decades.
2. His most iconic hairstyles and their significance.
3. How to achieve Robert Downey JR haircut.
4. The impact of his hairstyles on fashion and pop culture.
5. Haircare tips to maintain styles like Robert Downey JR.
The Evolution of Robert Downey JR Haircut
Early Career and Classic Styles (1980s-1990s)
Robert Downey JR's career began in the 1980s, characterized by classic, clean-cut hairstyles. In movies like "Less Than Zero" and "Chaplin," Downey often sported traditional haircuts that were polished and sophisticated.
Key Characteristics:
Clean-cut look:
Short sides and back with a slightly longer top.
Minimal styling:
Natural texture with a bit of shine.
Versatile:
Suitable for both formal and casual settings.
The Bold Experimentation Phase (Late 1990s - Early 2000s)
Downey's career took various twists and turns, as did his hairstyles. This period saw a more experimental Robert Downey JR, with haircuts that ranged from spiky and messy to longer, more unruly styles.
Key Characteristics:
Messy, textured hair:
A departure from the clean-cut look, emphasizing texture and volume.
Color changes:
Experimentation with different hair colors, including shades of blond and highlights.
Edgy cuts:
Asymmetrical and spiked styles reflecting a more rebellious phase.
The Tony Stark Era (2008-2019)
The most iconic period for Robert Downey JR haircut was his portrayal of Tony Stark/Iron Man. This era defined a signature look that combined sophistication with a modern edge.
Key Characteristics:
Sleek and sophisticated:
Well-groomed with a modern twist.
Stark beard:
The distinctive facial hair complemented his haircut perfectly.
High fade with a styled top:
A high fade on the sides and back with a voluminous top, often styled with a slight wave.
Post-Iron Man and Current Styles (2020s)
Post-Iron Man, Robert Downey JR has continued to evolve his look. While he retains a touch of Tony Stark sophistication, h
2. Personal Background Information§ Born: October 22nd 1969
§ Spike Jonze isn’t his original name. He was born and raised being called Adam Speigel.
§ He’s an American director, actor and producer.
§ His productions included music videos, commercials, films and television.
§ He’s best known for 2009 film ‘Where the Wild Things Are’ through collaborations with
writer Charlie Kaufman
§ He’s well known for his music video collaborations with Weezer, Beastie Boys, Fatboy
Slim and Björk.
§ He also co-created and was executive producer of MTV's Jackass.
§ He’s also part owner of skateboard company Girl Skateboards with riders Rick Howard
and Mike Carroll.
§ He was well known by many for his weird but wonderful production with Bjork with her
video for ‘Oh so quiet’.
§ Jonze was also a co-founder and editor of Dirt magazine along with Mark Lewman and
Andy Jenkins, as well as an editor for Grand Royal Magazine and senior photographer
for Transworld Skateboarding.
§
3. The Auteur Theory
§ The auteur theory is a way of using personal factors in a artistic creation as a
standard of reference and a feature that continues throughout directors work.
§ Spike Jonze is an auteur theorist which means that as a director he uses the
commercial apparatus of film-making in the same way that a painter uses a
paintbrush and paint.
§ Spikes personal factor is making music videos and films that are off-beat with their
storytelling, particularly their mix of live action, animation and puppetry.
§ The idea of having a personal factor, like a trade mark, is used amongst many
directors such as Tim burton.
§ Burton is an American writer, artist, film producer and director. His personal factor
is films that are dark, gothic and have lots of quirky themes. His most famous films
include Beetle Juice, Edward Scissor Hands, Charlie and the Chocolate Factory
and Alice in Wonderland. Like Spike,Tim is also know partner Helena Bonham
Carter (actress) and Johnny Depp (actor).
§
4. Buddy Holly - Weezer
§ Buddy Holly was the innovator of Rock ‘N’ Roll who is also labelled as the most
influential and inspirational singer-songwriter for contemporary and later
musicians.The song ‘Buddy Holly’ by Weezer pays respect to him on what would
have been his 58th birthday.
§ Throughout the music video, there is live-action from the band who are presented
playing on the original set of ‘Arnolds Drive-In Diner’ from the 70’s TV show
‘Happy Days’. Furthermore, there is also a cameo in the music video by ‘Happy
Days’ cast members ‘Al Molinaro’ and ‘Fonzie’, this creates a sense of union
between the band and cast members. It also makes viewers feel like they are
watching an episode of ‘Happy Days’ as there is a live audience who laugh at the
start and end of the video.
§ At the beginning of the music video there are credits which shows the director
(Spike Jonze) which allows it to be viewed as a TV episode or a film rather than a
music video.
§ Overall, the visual storytelling in the video is off-beat and has a very imaginative
aspect to it by making it appear as part of an episode in ‘Happy Days’ which is
what Spike Jonze envisioned.
§
5. Praise You – Fatboy Slim
§ The music video for “Praise You” was shot guerrilla-style (on location without
obtaining permission from the owners of the property) in front of perplexed
onlookers outside a movie theatre in Westwood, California.The video features
Spike Jonze and the dance group dance to "Praise You”.
§ Spike Jonze starred in the video under the alias ‘Richard Koufey’, along with a
fictional dance group ‘The Torrance Community Dance Group’.
§ With most of that money going towards a replacement boom box and food for the
cast and crew $800 seems like an extremely cheap production.The video won
three major awards at the 1999 MTV Video Music Awards: Breakthrough Video,
Best Direction and Best Choreography. It was also nominated for, but did not win,
Best Dance Video. It was voted number one of the 100 best videos of all time, in a
poll to mark the 20th anniversary of MTV.
§
6. Praise You – Fatboy Slim
§ The music video for “Praise You” was shot guerrilla-style (on location without
obtaining permission from the owners of the property) in front of perplexed
onlookers outside a movie theatre in Westwood, California.The video features
Spike Jonze and the dance group dance to "Praise You”.
§ Spike Jonze starred in the video under the alias ‘Richard Koufey’, along with a
fictional dance group ‘The Torrance Community Dance Group’.
§ With most of that money going towards a replacement boom box and food for the
cast and crew $800 seems like an extremely cheap production.The video won
three major awards at the 1999 MTV Video Music Awards: Breakthrough Video,
Best Direction and Best Choreography. It was also nominated for, but did not win,
Best Dance Video. It was voted number one of the 100 best videos of all time, in a
poll to mark the 20th anniversary of MTV.
§
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